Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.
Director Lawrie Brewster and writer Sarah Daly are back with Gothic noir THE BLACK GLOVES, a 1940s-set chiller featuring the Owlman, the iconic villain and viral sensation from their acclaimed debut feature LORD OF TEARS (review here).
THE BLACK GLOVES tells the story of a psychologist obsessed with the disappearance of his young patient, and the menacing owl-headed figure that plagued her nightmares. His investigations lead him to a reclusive ballerina who, just like his patient, is convinced that she is about to die at the hands of this disturbing entity.
In the bleak Scottish highlands, Finn counsels his new patient, under the watchful eye of her sinister ballet teacher. He soon finds himself entangled in a ballet of paranoia, dark agendas and a maze of deadly twists and turns, as the legend of the Owlman becomes a terrifying reality.
The film stars Spanish horror icon Macarena Gomez, best known for her role as the iconic sea priestess in Stuart Gordon's DAGON (2001)and her recent powerhouse performance in Musarañas (Shrew's Nest). Also starring are genre legend Nicholas Vince (HELLRAISER, NIGHTBREED) and Jamie Scott-Gordon, who won much praise for his performance in Brewster's gritty folk horror THE UNKINDNESS OF RAVENS. Alexandra Nicole Hulme (Girls,Smash,Glee), an acclaimed dancer and choreographer, who also appeared in LORD OF TEARS, stars as the troubled ballerina
The film continues the trend for black and white horror alongside recent titles such as A GIRL WALKS HOME ALONE AT NIGHT, THE EYES OF MY MOTHER (review here) and A FIELD IN EENGLAND, but for inspiration for the film, and its style, Brewster and Daly looked to cinema history.
According to Daly:
“I've always been a huge fan of Gothic romantic horror films and literature, and for The Black Gloves, we looked to films like Hitchcock's Rebecca, The Innocents and Cat People for our visual style and mood. The noir look seemed a natural fit for The Owlman, who is this shadowy entity, always lurking in dark corners, watching.”
Hex Media, the fiercely independent Scottish horror house behind LORD OF TEARS, THE UNKINDNESS OF RAVENS and THE BLACK GLOVES, is the passion project of Brewster and Daly, who have been quietly blazing a trail in the genre since the company's inception five years ago.
Brewster has said:
“We're passionate about telling original stories and maintaining our independence to do so. We've focused heavily on building our connection with our audience, and working with them to create the kind of films we want to make, and that they want to see. The support of our fans allows us to tell these strange, dark stories that the mainstream isn't willing to take a risk on.”
Help the film become bigger and better by donating via the Kickstarter page:
https://www.kickstarter.com/projects/lawriebrewster/the-black-gloves-feature-film-owlman-supernatural
The film is a co-production between Hex Media and long-time partners Dark Dunes Productions in association with 3rd Monkey Entertainment and Lights Out Productions, and is set for release in Autumn 2017.
Keep up to date with this film and other projects by Hex Media by clicking LIKE on their Facebook page here:
https://www.facebook.com/hexmedia
And/Or FOLLOW them on Twitter https://twitter.com/HexHorror
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