Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.
Coming in September in a REGION FREE Dual Format release is:
THE WONDERFUL WORLDS OF RAY HARRYHAUSEN, VOLUME ONE: 1955-1960
The boxset contains the following films:
IT CAME FROM BENEATH THE SEA (Robert Gordon, 1955)
20 MILLION MILES TO EARTH (Nathan Juran, 1957)
THE 3 WORLDS OF GULLIVER (Jack Sher, 1960)
Limited Dual Format Edition (UK Blu-ray premieres)
These spectacular films, each featuring pioneering special effects by filmmaking legend Ray Harryhausen, are presented on Blu-ray for the very first time in the UK. Containing a wealth of new and archival extras – including exclusive new interviews with director Joe Dante, SFX maestro Dennis Muren, and Aardman Animation co-founders David Sproxton and Peter Lord – this stunning Limited Dual Format Edition Box Set is strictly limited to 6,000 units.
INDICATOR LIMITED EDITION SPECIAL FEATURES:
• HD restorations of It Came from Beneath the Sea and 20 Million Miles to Earth
• 4K restoration from the original camera negative of The 3 Worlds of Gulliver
• Original black and white and alternative, authorised colourised versions of It Came from Beneath the Sea and 20 Million Miles to Earth
• Mono and 5.1 surround sound audio options
• It Came from Beneath the Sea and 20 Million Miles to Earth audio commentaries with Ray Harryhausen
• New interview with filmmaker Joe Dante
• New interview with SFX maestro Dennis Muren
• New interviews with Aardman Animation's David Sproxton, Peter Lord and Dave Alex Riddett
• Archival documentaries, interviews and featurettes
• Original trailers and promotional films
• Isolated score on The 3 Worlds of Gulliver by Bernard Herrmann
• Promotional and on-set photography, poster art and archive materials
• Box set exclusive 80-page book with new essays, and film credits
• UK premieres on Blu-ray
• Limited edition box set of 6,000 copies
...AND MORE!
The set will be released 18th September 2017 but you can pre-order the set via Powerhouse Films website by clicking HERE. Be aware that payment will be taken immediately and the item will ship just before the release date.
Alternatively you can pre-order it on Amazon via the link below.
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