Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.
Doc Rotten and his Grue-Crew have created something so despicably horrifying that just flipping the pages could send you into convulsions with side effects of uncontrollable vomiting. If you decide to read the content, be warned that it may cause hallucinations and possibly death.
Available now in digital format and coming soon via Print on Demand, the Grue-Crew are proud to present the very first edition of Gruesome Magazine. The quarterly magazine will focus on independent horror films, horror film festivals, and the future of horror.
The digital magazine is available for $3.99 and the print edition is available for $9.99, click the appropriate link via the link below for the version you would like to own. The magazine is 8.5 x 11, full color, and 48 pages.
Issue 1 contents are listed below:
- Editorial by Doc Rotten
- Night of Something Strange – Jonathan Straiton’s Gooey, Grimy Gorefest by John Black
- Isaac Ezban – Filmmaking From Another Dimension by Joseph Perry
- Addiction, Emotion, & Brutal Honesty – Clint Carney on Dry Blood by Thomas Mariani
- Sex, Violence, & Inhumanity – Scott Schirmer on the Feral Fears of Plank Face by Kieran Fisher
- Terror Haunts the Forest – Patrick Rea and the Making of Arbor Demon by The Black Saint
- Found Footage 3D – Steven DeGennaro Forges The Rules of Enragement by Mike Imboden
- Robert Kurtzman, FX Legend – Supporting Indie Horror with Practical Effects by Dave Dreher
- Of Waitresses and Werewolves – Scream Queen Kristi Ray in White Drift by Doc Rotten
- Marketing an Award Winning Short – Shant Hamassian on Night of the Slasher by Christopher G. Moore
- Motel Hell – Farmer Vincent’s Fritters & All Kinds of Critters by Jeff Mohr
- Mystics in Bali – Flying Heads, Pig Men, & Indonesian Sorcery by Bill Mulligan
- New York City Horror Film Festival – Michael J. Hein, The Visionary Who Started It All by The Black Saint
- Horror Film Festival Calendar – When & Where To Catch the Future of Horror by Paul Cardullo
0 Response to "NEW HORROR MAGAZINE HITS DIGITAL AND PRINT"
Post a Comment