LOST 1970'S HORROR THRILLER COMES TO BLU-RAY

Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.























Garagehouse Pictures has recently released THE INTRUDER, a lost, never-before-released horror thriller starring Mickey Rooney, Yvonne DeCarlo and Ted Cassidy to Blu-ray!

THE BACKSTORY

In 1975, actor-director-producer Chris (STANLEY, TWELVE O’ CLOCK HIGH) Robinson accepted an offer from his brother to make a film for $25,000 dollars – but he had to script, cast and begin shooting the film in a matter of weeks!  Robinson gathered together a cast of veteran professionals on both sides of the camera with whom he had worked with on previous projects, and the result was THE INTRUDER, a bloody Agatha Christie-style mystery horror thriller starring Mickey Rooney, Yvonne De Carlo, Ted Cassidy and Chris Robinson (who also wrote, produced and directed).


Never distributed theatrically in the 70s due to disagreements among the distributors, the only 35mm print of the film disappeared before it could debut on the home video market. Since the film’s elements were later found to be destroyed, it seemed this modest little chiller would never be seen or heard of. The film was never listed on any of its star’s filmographies, nor did it have an entry on imdb.com. The film was buried in the past until 2012, when film collector and Garagehouse Pictures owner, Harry Guerro, discovered the film among piles of rotting 35mm film prints in a desert storage facility. Chris Robinson, who had long since given up hope the film would ever be found, was stunned upon learning of its recovery and the film’s long-overdue release was planned.

Synopsis:

Mickey (THE MANIPULATOR) Rooney, Yvonne (THE MUNSTERS) De Carlo, Ted (THE ADDAMS FAMILY) Cassidy and Chris (STANLEY) Robinson (who also wrote, produced and directed) star in a story of greed, murder and irrational madness. The lust for gold brings eleven visitors to a remote island retreat, but an unseen, seemingly unstoppable evil follows to stalk them one by one. The bodies don’t stop dropping until the final shattering conclusion. Who – or what – is the intruder? One thing is for certain: it will not stop until it kills them all.

Pre-dating the slasher movie craze that would become popular several years later, THE INTRUDER is a bloody Agatha Christie-style horror thriller with a body count that rivals FRIDAY THE 13TH and BAY OF BLOOD, with creepy photography by Jack (DERANGED, DEATHDREAM) McGowan.

Garagehouse Pictures is pleased to introduce Chris Robinson's never-before-released 1975 proto-slasher on Blu-ray, in a painstakingly restored High Definition transfer from the only 35mm film print in existence.



FEATURE SPECIFICATIONS AND EXTRAS

Transferred in 4K from the only 35mm film print
Sound digitally remastered from the original optical tracks
Presented in its original aspect ratio
Audio commentary with Chris Robinson
Archival interview with Chris Roinson
Liner notes
Garagehouse Pictures trailers
All new artwork by Stephen Romano
All regions

1975 / 87 mins. / Color / Mono / 1.85:1 / Not Rated


THE INTRUDER is now available to buy through www.DiabolikDVD.com


For more information about THE INTRUDER, or any of the other Garagehouse Pictures releases, visit their website at www.garagehousepictures.com, or Facebook page at https://www.facebook.com/garagehousepictures


Baca:


Subscribe to receive free email updates:

0 Response to "LOST 1970'S HORROR THRILLER COMES TO BLU-RAY"

Post a Comment