Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.
BETHANY *** U.S.A. 2017 Dir: James Cullen Bressack 90 mins
Married couple Claire (Stefanie Estes) and Aaron (Zack Ward) move into Claire’s childhood home after the passing of her mother. An already mentally fragile Claire is forced to deal with painful memories of her overbearing mum and her uncomfortable upbringing; bringing to the forefront of this her imaginary friend she once had called Bethany who kept her company as a lonely only child. Could Bethany be responsible for causing all manner of disturbing images to welcome Claire back? Will their marriage survive this or will the house and its memories break them completely? Is Bethany really a figment of Claire’s imagination?
This is another promising movie from director James Cullen Bressack who gave us HATE CRIME and PERNICIOUS amongst others. I am always intrigued by his offerings and BETHANY does not disappoint for the most part. I did however feel the acting of Stefanie Estes and Zack Ward a bit strained and as a couple didn’t really gel with each other so in parts were rather hammy, same has to be said of Tom Green as Dr. Brown, it was just a little off. This also casts Shannen Doherty as Claire’s mum and to be honest she is no worse than the rest of them. The story is a little slow paced to start with but picks up nicely and in a fair few places did succeed in creeping me out quite a bit! It falls back on some familiar horror clichés but briefly touches on them so they’re not too tedious. It does take a twist that leads you to warm to the characters more and did leave me a bit emotional. I wasn’t thrilled with the effects at times, some of them weren’t all that well done and there was some below par CGI going on but I think they realised this as well and redeemed themselves in time with some more effective practical effects. It features a great soundtrack that really enhances the suspense and added to the creepiness no end. An enjoyable flick that I recommend a watch of, with a bit more conviction from the cast this could’ve been a great movie rather then just a good one.
Review by Sarah Budd
0 Response to "Film Review: BETHANY (2017)"
Post a Comment