Film Review: HUNTING GROUNDS (a.k.a. Valley Of The Sasquatch) (2015)

Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.


HUNTING GROUNDS (a.k.a. Valley Of The Sasquatch) *** U.S.A. 2015 Dir: John Portanova 92 mins

After the tragic death of his wife, Roger and his son Michael loose everything with the expense of the funeral and have to move into a cabin owned by Rogers’s brother Will, which is situated deep in the forest. On arrival they discover the place has been trashed but with nothing more than broken furniture, some weird hair caught on a nail and a sense of unease about the place they conclude that the culprits are long gone and try to settle in and piece their lives back together.
Joined by Will and Sergio, a long time friend of Rogers, they head off deeper into the forest for a weekends hunting and camping trip. It is not long before the hunters realise something rather larger then your average bear is out there watching them waiting for their chance to attack. With a verging on obsessive use of soft focus shots that make your eyes go funny and a fair bit of off screen killings this does seem to be lacking in a number of ways but once you realise it’s the film and not your eyes going fuzzy you can push past this. I do like the fact that the Sasquatches are played by people in suits, in fact I think in this instance its just one guy playing all of them, no one else is credited for it anyway.  You only really see one at a time with passing glances of others. There is a part with a family of three Bigfoots (or should that be Bigfeet?!) though so I’m assuming more actors were involved. For once they get a fair bit of screen time rather then just the odd glimpse here and there, the only down side being that they do give off a sort of Harry and the Henderson’s vibe at times so could have done with looking a bit more ferocious! The effects aren’t great but they all seem to be mostly practical although maybe they shouldn’t have got too close with the cameras on some of the tearing off of limb shots as they are a bit naff. The acting from all involved was fine, with Bill Oberst Jr making a brief appearance as Bauman, a lone traveller who gets abducted by the Sasquatches. Jason Vail as Roger and Miles Joris-Peyrafitte as Michael work well as father and son and you end up routing for them by the finish. The music is good so combined with the (endless) soft focus shots it does succeed in creating an effective eerie atmosphere. It’s definitely not awful but at the same time nothing to rave about, that being said I’m sure it will appeal to Yeti fanatics.

Review by Sarah Budd





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