'BLOOD HUNTERS' COMING TO DVD & VOD

Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.

BLOOD HUNTERS is the terrifying new horror film from director Tricia Lee and Film Monkey Productions. Lee, one of the very few successful female directors in the genre, made a splash on the scene with her first feature CLEAN BREAK and her second feature SILENT RETREAT.

Since the long-time team of Tricia Lee and writer Corey Brown won Best Canadian Feature at the Toronto After Dark Film Festival, they have been working on the script, formerly titled One Drop for their new horror creature feature and are excited to see their vision become a reality.

In order to bring her chilling vision to life, Tricia Lee and casting director Kristen Henderson assembled a fantastic cast:

Lara Gilchrist (Battlestar Galactica, Defying Gravity)
Benjamin Arthur (Less Than Kind, Working the Engels)
Torri Higginson (Stargate: Atlantis, This Life)
Mark Taylor (Flashpoint, Instant Star)
Julian Richings (Orphan Black, Supernatural)
Peter Blankenstein (The Human Centipede I,II,III)

These talented actors join forces to battle a nightmare beyond the reaches of science. In BLOOD HUNTERS, science is pitted against religion in a suspenseful script that is visually, emotionally and intellectually stimulating.

With SPFX guru Shaun Hunter creating gruesome prosthetics and Producer Chris Luckhardt (Silent Retreat, Tru Love) and Executive Producers Brigitte Kingsley (The Dark Rising Franchise, Night Cries) and Michael Baker (Backcountry, Nostrum), this project was selected to attend the Frontieres Genre Co-Production Market in Brussels, Belgium which coincided with the Brussels International Fantastic Film Festival.  Frontieres later presented the film during the Cannes Marche du Film as part of Frontieres Goes To Cannes.

Given all the recent news about the struggles of female filmmakers, nowhere is this more evident than in the horror genre. The tiny handful of women helming genre films is no doubt a contributing factor to why most horror screenplays are told from the male perspective, despite the fact that a solid 50 percent of horror audiences are female.

Director Tricia Lee is keenly aware of this. “The genre traditionally focuses on the three B’s: beasts, blood, and boobs. I want to bring something different. I want to introduce a new alphabet,” she attested in a gentle voice that should not ever be taken for granted because it belies her delight in the macabre.

What Lee brings is emotion, without sacrificing beasts and blood. She entertainments her audiences so they enjoy a broader spectrum of emotions. “When people watch horror films, their emotions are opened up, they’re scared, and they’re allowing themselves to feel. I always bring a dramatic element. I want to elicit tears. I want to go deeper and draw a strong connection between the audience and the characters.”

SYNOPSIS

Blood Hunters tells the story of a single mother who wakes up in the basement of a medical facility only to discover that everyone around her is dead and she is somehow nine months pregnant. As she struggles to escape, she encounters other survivors, each with their own secret. Together they must unlock the mysteries of the facility which will take them to the brink of death and beyond.

The film will be coming out on DVD, VOD and all digital platforms in Canada and the USA on 4th July 2017.

Tweet

Subscribe to receive free email updates: