Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.
Writer-director Megan Freels Johnston’s suburban nightmare THE ICE CREAM TRUCK will hit theaters 18th August and be released on VOD via Uncork’d Entertainment.
As a producer developing material for over a decade, Freels Johnston worked on adaptations of her grandfather's work and produced SPARKS, the directorial debut of Joseph Gordon-Levitt. After completing a project for the USA Network, she decided to follow her passion and write and direct her own material. Her first film, 2014’s micro budget thriller REBOUND, developed a cult following on VOD, was called, “Almost David Lynchian in its strangeness” by Film Threat and Rue Morgue said, the film "(was) worth watching to the end for the unnervingly realistic twist ending."
The provocative psychological thriller THE ICE CREAM TRUCK stars Deanna Russo (Being Human, Gossip Girl) as Mary, who moves back to her suburban hometown after her husband gets relocated for work. As her family ties up loose ends back home, she moves into their new house alone. And although the move makes Mary nostalgic for her youth, there’s something very sinister about that Ice Cream Truck that patrols her suburb.
THE ICE CREAM TRUCK also stars Dana Gaier (Despicable Me 3), John Redlinger (Thirst, Banshee), Emil Johnsen (Isolerad), Hilary Barraford (Go For Sisters), Jeff Daniel Phillips (31), and Lisa Ann Walter (War of the Worlds).
Official Synopsis :
Mary's husband gets relocated for work which allows her to move back to her suburban hometown. As her family ties up loose ends back home, Mary moves into their new house all alone and....waits. Yet in this idealistic world, something seems very odd. The Ice Cream Man, a symbol of youth and good times, starts killing some of her neighbors. Mary soon learns that the suburbs are scarier in more ways that she ever remembered.
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