Film Review: THE CONTROL GROUP (2014)

Commenting on the latest and best selling movies at the box office, as well as the hottest issues movie that current trends, with a good quality power and capable of high paint film lovers satisfaction for yourself. So the movie lovers everywhere are able to get an overview before watching the film itself. And here we provide different things from previous reviews. And we make sure you as the movie lovers will be satisfied with it. High-definition video video higher resolution and quality from standard definition. Although there is no standard meaning for high-definition video images, generally with far more than 480 horizontal lines (North America) or 576 horizontal lines (Europe) are considered high definition. 480 scan lines are generally a minimum although most system greatly exceeded the limit. Standard resolution image captured at a rate much faster than usual (60 frames/second North America, 50 fps Europe), by high speed camera can be considered high-definition in some contexts. Several television series shot in high-definition video that is made to look as if they've been shot on film, a technique that is often known as the filmizing. HDTV broadcast systems associated with three main parameters: Frame size in pixels is defined as the number of pixels horizontal × vertical pixels, for example number of 1280 × 720 or 1920 × 1080. Often times the number of pixels horizontally are implied from context and omitted, as in the case of 720 p and 1080 p. Scanning system is identified with the letter p for progressive scanning or i for interlaced scan. Frame rate is identified as the number of video frames per second. For interlaced systems, the number of frames per second must be specified, but it is not uncommon to see a level playing field which is used instead. Naming of commercial products, frame rate often falls and implied from context (e.g., a television set 1080i). Frame rate can also be specified without a resolution. For example 24 p means 24 progressive scan frames per second, and 50i means 25 interlaced frames per second. There is no standard for HDTV color support. The color is usually broadcast using YUV (10-bit per channel) However, depending on the underlying technology produces an image of the recipient, it is then converted to RGB color spaces that use standard algorithms. When sent directly through the Internet, the colors usually pre-convert to 8-bit RGB channels for additional storage savings with the assumption that it's only viewable only on a computer screen (sRGB). As an added benefit to the original broadcaster, pre-conversion losses are basically making these files is not suitable for professional TV Broadcasting again.


THE CONTROL GROUP ** U.S.A. (2014) Dir: Peter Hurd 81 mins

Five college students get drugged at a party and wake up locked in an abandoned insane asylum where they are used as test subjects by an elite team headed up by a power hungry crazed scientist. One by one, under observation from the team, the students are killed off by various means; preferred method seems to be electrocution. One of the students is onto them though and has help from a friendly supernatural force.
This is extreme low budget and shows in every way. It does however feature seasoned professional Brad Dourif as Dr. Broward who is really the only good thing about this movie; he puts in a sound performance with the script given. Unfortunately the same cannot be said of the rest of the cast as their acting is pretty awful, although I did quite like the hippy dreamy character of Jaime played by Kodi Saint Angelo. I think the casting directors were way off at times casting people who looked obviously in their late thirties as students and the actress cast as Anne, the ghost of a child, was pushing the boundaries as it too was glaringly obvious she was not a child but she did have the most obnoxious childish voice so I guess with their budget beggars can’t be choosers. I found this movie quite confusing and convoluted with really bad dialogue and overly ambitious storylines that were unobtainable within the budget they had. It feels like there is a lot going on and it jumps about in time a bit but really it is nothing special, the soundtrack is alright and I quite enjoyed the SPFX, however this is not enough for me to rate it highly at all. I’m not saying don’t watch it, if low budget shockers are your thing then go for it but it barely scrapes through with 2 stars in my opinion.

Review by Sarah Budd







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